top of page

Ilda Reis

Porto

JC001.jpg
Referencia: JC0001
Referencia: JC0002
Referencia: JC0003
Referencia: JC0004
Referencia: JC0005
Referencia: JC0006
Referencia: JC0007
Referencia: JC0008
Referencia: JC0009
Referencia: JC0010

Title: IV Lifetime

Technique: Engraving

Dimensions: 75  x 56 cm

Year: 1971

Edition: 100 signed and numbered copies

Reference: IR0001

PVP: 450 €

Paisagem Mosteiro - Serra Pilar Gaia

jc0011.jpg
Referencia: JC0011
Referencia: JC0013
Referencia: JC0015
Referencia: JC0012
Referencia: JC0014

Título: Porto

Técnica: Serigrafia

Dimensões:  50 x 70 cm

P.V.P. Unitário: 246 €

Sintra

Título: Chaminés do Palácio de Sintra

Técnica: Aguarela

Dimensões:  56 x 76 cm

P.V.P. Unitário: 1230 €

jc016.jpg
Referencia: JC0016
Referencia: JC0017

Alentejo

jc0018.jpg
Referencia: JC0018
Referencia: JC0020
Referencia: JC0022
Referencia: JC0024
Referencia: JC0026

Título: Alentejo

Técnica: Aguarela

Dimensões:  35 x 50 cm

P.V.P. Unitário: 495 €

Referencia: JC0019
Referencia: JC0021
Referencia: JC0023
Referencia: JC0025
Referencia: JC0027

About Ilda Reis

Born and died in Lisbon. She was a Portuguese plastic artist who, during three decades of creative production, dedicated herself exclusively to printmaking. She was married, from 1944 to 1970, to the writer José Saramago.


Her artistic path began at the António Arroio School of Decorative Arts, which she interrupted to focus solely on her professional career as a typist for Caminhos de Ferro until 1965. In that year, at the age of 42, the artist “abandoned secure employment” and returns to the world of the arts and his artistic studies by enrolling in a painting and drawing course at the National Society of Fine Arts. He studied engraving and serigraphy at Gravura – Sociedade Cooperativa de Gravadores Portugueses, a space where Júlio Pomar, Manuela Pinheiro, Alice Jorge and Sérgio Pombo passed and where he guided some courses. She was a member of the direction of «Gravura» in 1971/72 and of the Technical Council in 1972/73, and a grantee from the Calouste Gulbenkian Foundation in 1971/72 and 1979/80.
 

He held several individual and group exhibitions and received several awards, among which the following stand out: in 1972, Gold Medal, at the III International Print Biennale, Florence; in 1987, 1st. Prize, at the 1st Art Biennial, Grupo Dramatico Povoense; in 1988, Prize Yugoslavia, Grand Prix Européen des Arts et des Lettres, Nice; in 1990, Honorable Mention, IV Small Format Exhibition, Viragem, Cascais and in 1994, Edition Prize, IV Bienal de Gravura da Amadora.  It is represented at the Calouste Gulbenkian Foundation, at the State Secretariat for Culture / Casa de Serralves, at the Setúbal Museum, at the Banco de Fomento Nacional, at the City Museum, and also in some foreign museums and collections private. It was published several times by “Gravura” (Lisbon), by Galeria Triângulo (Algés), by Galeria Espiral and by the Centro Português de Serigrafia (Lisbon).
 

julio capela foto.jpg
bottom of page